![]() Schubert spent the summer of 1818 as a music teacher for the family of Count Johann Karl Esterházy at his palace in Zseliz (now Želiezovce, Slovakia). For a time he tried to augment his income by giving music lessons, but soon abandoned them and devoted himself to composition. The proposal was particularly timely, as Schubert had just applied unsuccessfully for the position of chapelmaster in Laibach and had also decided not to resume teaching duties at his father’s school. In 1816 Franz von Schober, a student from a good family and with some financial means, invited Schubert to live with him in his mother’s house. Schubert wanted to marry her but was hindered by the severe marriage consent law of 1815, which required an aspiring groom to prove that he had the means to support a family. That year he met a young soprano named Therese Grob, daughter of a local silk manufacturer, and wrote several of his liturgical works for her. After Schubert’s voice changed in adolescence, he obtained a teaching position in his father’s school in 1814. ![]() Displaying his instrumental and compositional skills, he impressed the Kapellmeister, Antonio Salieri, who accepted him as a private pupil. At age eight, he secured a soprano position in the choir of the Imperial and Royal Seminary (the sovereigns were emperors of Austria and kings of Hungary) where he was offered a free education. His father gave him his first violin lessons and his elder brother taught him piano, but Schubert soon exceeded their abilities. Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father was an enterprising schoolmaster and amateur cellist. Via Wikimedia.īorn on 31 January 1797, Franz Peter Schubert was the twelfth of fourteen children, one of only five who survived infancy. Attributed to his friend, Franz von Schober – Original is in the Historic Museum of the City of Vienna. The caption (in German) reads: Michael Vogl and Franz Schubert go out for battle and victory. Pencil-on-paper caricature of singer Johann Michael Vogl (left) and composer Franz Schubert (right). Sneak peak: It turns out the next Schubert attraction in town would solve all these puzzles at once.Figure 1. Why Stifter? Why not Friedrich Lieder or WA Rider (who have at least made some sketches / paintings of the composer)? Yet the curating gets curiouser and curiouser – at the end of the corridor, paintings by Adalbert Stifter are on display. The first two galleries show us a rough timeline of Schubert’s younger years. You’ll have to open them one by one to get a little clue with your own meaning-making. And with a narrative lacking, and the cardboard descriptions are of little help either, and to add a little bit of suspense, for some reason – the cardboards are covered with wooden blocks. ![]() ![]() Multiple mysteries enshroud the spacious apartment.Īnd you’re now on your own to find out how they’re to be linked to Schubert.įind yourself surrounded by all these stuff each trying to tell its own story while you imagine what it’s like to be the twelfth child of a family that’s luckily appropriately well-off. The house is to your left, with a characteristic purple-on-white “Vienna Museum” door sign. ![]() Get to Canisiusgasse Station and walk south for twenty seconds. The fastest way to the birthplace is to take the tram. Schubert grew up in this flat as a kid and was probably born in the same place, 1797. ![]()
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